Setting
out to edit one’s manuscript can be a daunting task, but it can also be quite
rewarding. By the time a person has
finished writing their manuscript, they should be intimately aware of the
story, characters, plot, etc. Hopefully,
the author is in love with what they’ve written, for by the time they’re done
rewriting the manuscript, they will have read and re-read and read again the
entire manuscript a good number of times.
This
reading and re-reading process doesn’t happen quick or at a pace one might
assume when reading for pleasure.
Instead, when reading one’s manuscript during the editing process, great
care is given to each and every word. Is
it necessary? Does it further along the
story? Is it in keeping with the style
of the characters, plot etcetera?
Though
a writer may be in love with what they’ve written, treating each and every word
as if it’s a priceless gem to be treasured, they must adopt objectivity when
editing. This isn’t to say that words
should be cut from the manuscript in a ruthless manner or
indiscriminately. They shouldn’t. Great care must be taken when choosing which
words, sentences, paragraphs and possibly even entire chapters must be eliminated
for the greater good of the finished product.
During
the editing/rewrite process to my book, Little
Girl Lost, there were portions of the story that I read fifteen or more
times! Other sections, I only needed to
go over seven times to get things to flow the way I wanted. This is the reason I say a writer must, must,
must be in love with what they’ve scribed.
There aren’t many books I’d care to read more than once, much less seven
to fifteen times or more. But that’s
exactly what a writer must be prepared to do with their manuscript if they
maintain any real ambitions of getting it published.
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